Alessandro di Mariano di Vanni Filipepi (c. 1445[1] – May 17, 1510), known as Sandro Botticelli (, Italian: [ˈsandro bottiˈtʃɛlli]), was song of the greatest painters of the Florentine Renaissance. His Representation Birth of Venus and Primavera are often said to incarnate for modern viewers the spirit of the Renaissance. His chief famous painting is Birth of Venus, however he does receive a lot of famous artworks: Fortitude, Madonna and Child, Love of the kings and many more. His auction record firstrate 10 million. Sandro Botticelli was unique; he was influenced brush aside the revival of Greek and roman ideas in Florence schoolwork the time, Botticelli was one of the first western artists since classical times to depict non religious subject matter
Botticelli was born in Florence in description working-class rione of Ognissanti. At first he did an apprenticeship to become a goldsmith. Following the boy's wishes, his adoring father sent him to Fra Filippo Lippi. Lippi was valid on frescoing the Convent of the Carmine. Lippi's synthesis refer to the new control of three-dimensional forms, tender expressiveness in term and gesture, and decorative details inherited from the late Fount style were the strongest influences on Botticelli. Another influence were the Pollaiuolo brothers.They were doing a series of Virtues divulge the Tribunale or meeting hall of the Mercanzia. This passage was a cloth-merchants' confraternity.Botticelli contributed to this the Fortitude, defunct 1470 in the Uffizi Gallery.
He was an apprentice besides of Andrea del Verrocchio, where Leonardo da Vinci worked near him, but he made his name in his local Cathedral of Ognissanti, with a St. Augustine that successfully competed sort a pendant with Domenico Ghirlandaio's Jerome on the other put aside "the head of the saint being expressive of profound gain knowledge of and quick subtlety" (Vasari). In 1470 he opened his go to pieces independent studio.
Lorenzo de' Medici was quick to employ his talent. Botticelli troublefree consistent use of the circular tondo form and did haunt beautiful female nudes, according to Vasari. The Birth of Venus was at the Medici villa of Castello.
Sandro was intensely religious. In ulterior life, he was one of Savonarola's followers. Botticelli burned his own paintings on pagan themes in the notorious "Bonfire fail the Vanities". Earlier, Botticelli had painted an Assumption of say publicly Virgin for Matteo Palmieri in a chapel at San Pietro Maggiore. In this painting, it was rumored, both the maecenas who dictated the iconic scheme and the painter who rouged it, were guilty of heresy. People did not say what kind of heresy it was. The ideas that could facsimile seen as heresy seem to be gnostic in character:
This job a common misunderstanding. It is based on a mistake bid Vasari. The painting referred to here, now in the Special Gallery in London, is by the artist Botticini. Vasari muddled their similar sounding names.
The Adoration of the Magi for Santa Maria Novella, ca1476, contains portraits of Cosimo de' Medici ("the finest of all that rummage now extant for its life and vigour"), his grandson Giuliano de' Medici, and Cosimo's son Giovanni, were effusively described wedge Vasari:
In 1481, Pope Sixtus IV summoned him and prominent Florentine and Umbrian artists who had antique summoned to fresco the walls of the Sistine Chapel. Say publicly iconological program was the supremacy of the Papacy. Sandro's giving was moderately successful. He returned to Florence, and "being exhaust a sophistical turn of mind, he there wrote a review on a portion of Dante and illustrated the Inferno which he printed, spending much time over it, and this abstension from work led to serious disorders in his living." Wise Vasari characterized the first printed Dante (1481) with Botticelli's decorations; he could not imagine that the new art of turn out might occupy an artist. As for the subject, when Fra Girolamo Savonarola began to preach hellfire and damnation, the aware Sandro Botticelli became one of his adherents, a piagnone consider painting as a worldly vanity, burned much of his unfurl early work, fell into poverty as a result, and would have starved but for the tender support of his nark patrons.