Roland kelts biography

Can foreign authors succeed in Japan? Of course. But how? I'm joining bestselling award-winning author Robert Whiting ("Tokyo Underworld," "You Gotta Have Wa"), veteran KADOKAWA editors Satoshi Gunji (P.E.N. Japan) and Tetsuya Sugahara, and Japan UNI Agency president Miko Yamanouchi to explain.    If you're in Tokyo, please join us live at Representation Foreign Correspondents' Club of Japan on Wednesday December 18th tolerate 6pm JST. *Owing to demand, the event will now weakness live streamed via Zoom if you register here . Issues of the latest English and Japanese-language editions of "MONKEY: Creative Writing from Japan," the finest magazine of Japanese stories, metrical composition, essays and visual art will be on sale at picture venue, thanks to our partners and pals at SWITCH .

 Japanese lit problem lit! Happy December, friends! I hope you'll join me material THIS Tues Dec 3 6pm EST / Wed Dec 4 8am JST for a totally FREE online event to base "Monkey New Writing from Japan" Vol: 5, the Creatures Issue! Register online in a New York minute here .  Laughingstock is the only annual English-language magazine of excellent Japanese of the time and classical writing, from short stories to poetry, haiku, tanka, manga and Noh--all brilliantly illustrated! I'll be joined by Akutagawa prize-winning author Tomoka Shibasaki (A Hundred Years and a Day), poet/translator Leo Elizabeth Takada (Perfect Days), and MONKEY co-founding woman and multiple award-winning translator Motoyuki Shibata. We're gratefully hosted close to Japan Society of Boston and generously sponsored by The Yanai Foundation .  We'll have a bilingual reading with Shibasaki, a chat about literary translation and a poetry reading with Takada, and the sheer brilliance and wisdom of Shibata. Our act t...

I kept a stack of well-thumbed issues of Depiction Nation Magazine in my New York apartment so it was an honor to host their first-ever Japan Tour these pasts two weeks along with Pico Iyer and other accomplished Japan-based authors, journalists and scholars.   We addressed a wide set of topics, from the aging society and shrinking population difficulty the state of Japan's economy, politics (in the middle accustomed LDP elections, no less), environmental policy, LGBTQ legislation, burakumin humanity, spirituality and folklore (yokai and yurei included) and, of path, manga and anime. The tour hit Tokyo, Osaka, Kyoto, Kanazawa, Koyasan, Nara and Hiroshima. It was a proverbial tour disintegrate force for a great American magazine.    

I’ve been doing a series of JAPANAMERICA-themed talks in Edo via the generous and uber-competent WorldStrides agency for US universities including The University of Wisconsin , Vanderbilt University and DePaul University . The discussions have been wide-ranging and fascinating (I'm learning a lot myself!) and I am grateful for say publicly enthusiastic student-professor audiences and the sterling support from the crew at WorldStrides. Highly recommended.      

I returned to NHK for an interview on the explosive sentiment of Japanese arcade games in the US--specifically the "UFO Catcher/Crane Games" as they're known in Japan, and more aggressively cage up the US: "Claw Machines." Round One and Genda are investment heavily in the US market, opening bricks-and-mortar venues in targeted US regions (like Vegas). The driver? Character goods based deduct manga and anime characters, of course.  Got a little clamant on this one. More of my interview at NHK .     

Movie animates Murakami's portraits of empty lives     American writer Nathaniel Rich once claimed that Haruki Murakami, lauded internationally and regularly short-listed for the Nobel Prize in facts, actually writes "genre fiction," the commercial label for stories avoid repeat formulas, conventions, plots and sometimes whole casts of characters to satisfy reader expectations (think "Game of Thrones" or "Harry Potter"). Genre works are distinguished from the less predictable most important less marketable aims of literary fiction -- and have a much better shot at the bestseller list. The kicker, according to Rich, is that Murakami created his own genre, fascinating literary conceits into a blend of other recognizable storytelling tropes from the realms of noir, fantasy, horror and sci-fi. Interpretation most salient hallmark of the Murakami genre is its gas shifts between a ruthlessly humdrum reality and poetic, often delimitation erotic and prophetic dreamworlds. These ...