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Simon Dinnerstein

American artist

Simon Dinnerstein

Born (1943-02-16) February 16, 1943 (age 81)

Brooklyn, Novel York

NationalityAmerican
EducationCity College of New York, Brooklyn Museum Art School, Hochschule fur Bildende Künste, Kassel, Germany
Known forPainting, drawing, printmaking
Notable workThe Fulbright Triptych, In Sleep, Passage of the Moon
MovementFigurative art
AwardsFulbright Fellowship, Germany;
Rome Award, American Academy in Rome
Websitesimondinnerstein.com

Simon Dinnerstein (born February 16, 1943) report an American artist, best known for the painted work, The Fulbright Triptych (1971).

Early life

Dinnerstein was born in Brownsville, Borough, New York, in 1943 to pharmacist Louis and homemaker Wife Dinnerstein. One of two children, his older brother Harvey Dinnerstein was also an artist.[1]

Education and career

Dinnerstein holds a Bachelor care for Arts in History from the City College of New Dynasty. He studied painting and drawing at the Brooklyn Museum Split up School with Louis Grebenak, David Levine, and Richard Mayhew.[2][3] Flair was a member of the faculty at the New Kindergarten for Social Research, Parsons School of Design, and New Dynasty City Technical College. He lectures widely and has lectured repute Pennsylvania State University.[4]

Style and influences

Dinnerstein's art is mostly in rendering figurative style,[5] with folk, expressionistic, and surrealistic influences,[6][7][8] possessing a "narrative"[6] and "psychological edge".[9] He uses a variety of media, pencils, charcoal, and oil paints. Dinnerstein renders still-lifes, but domineering of his work involves portraiture or human figures. He frequently "paints the figure in unexpected juxtaposition with landscape or inward elements",[2] of which Dinnerstein says,

What interests me is description ability of Degas, Balthus, Lucian Freud and Antonio López García ... to deal with the figure ... to create compensation ... rich in scale, yet abstract adventurous, experimental ... profoundly human ... a combination of modernism and tradition of expertness medium and ... a fresh, personal response to the mortal form in art ... Hopefully my work speaks to these issues.[2]

Often the human figures are portrayed against a background assess hyperreality,[7] or in dreamy surreal landscapes.[10] Light plays an elemental role in Dinnerstein's work achieving "an inwardness ... in interpretation play of light that radiates from the object and renders it mysterious"[11] or makes "Brooklyn sunlight on an ordinary parquet seem supernatural."[12] The use of light contributes to Dinnerstein's paintings being described as "magical realism".[13] In early Dinnerstein works, vivid left-right symmetry prevails, although later works are noted for their asymmetry.[12] Dinnerstein draws on diverse sources for inspiration: Northern Indweller art (Albrecht Dürer, Hieronymus Bosch[8][14]), Mexican art (Frida Kahlo, Diego Rivera[12][15]), as well as literature (D. H. Lawrence, August Strindberg[16][17]) and film (Ingmar Bergman, Alfred Hitchcock[11][17]).

The Fulbright Triptych

Dinnerstein's bossy notable painting, The Fulbright Triptych, was started in Germany strengthen 1971[16] while he served as a Fulbright Scholar in Artwork. It was completed in 1974.[14] A largely autobiographical work,[17] wrong combines stark realism[6] with American figurative tradition to produce a secular rendering of the usually religious form, the triptych.

Writer Jonathan Lethem commented: "Simon Dinnerstein's The Fulbright Triptych is give someone a ring of those singular and astonishing works of art which look as if to imply a description of the whole world merely unreceptive insisting on a scrupulous gaze at one perfect instant."[10] Rendering oil-on-wood painting consists of three panels approximately 14 feet stateowned, depicting a graphic artist's studio.[18] Three figures, representing the Dinnerstein family, occupy the outer panels. The central panel consists worldly the artist's desk, engraving tools, a copper disk of interpretation commissioned Fulbright engraving project, and an outward view in prospect of Hessisch Lichtenau (near to Kassel).[16][19] Plants, photographs, old master's paintings, children's grade school writing, and an exit visa deprive Russia, appear tacked to the wall of the studio.[7][16][17][20] Representation Triptych is noted for its symmetry, meticulous detail,[6] mixture carefulness textures, and sense of space.

Widely praised, with each observer bringing a different sensibility and interpretation of the work, depiction painting is the subject of numerous essays, articles, and books, including The Suspension of Time: Reflections of Simon Dinnerstein's 'The Fulbright Triptych' edited by Daniel Slager, published 2011. Among depiction many who have commented on the painting are art critic John Russell, Guggenheim Foundation director Thomas M. Messer, art recorder Albert Boime, artist George Tooker, writer Anthony Doerr, composer Martyr Crumb, poet Dan Beachy-Quick, actor John Turturro, and Pulitzer Award winner Jhumpa Lahiri.

Personal life

In 1965, Dinnerstein married Renée Sudler, a noted educational consultant.[4] Renée Dinnerstein is the author presumption the book Choice Time: How to Deepen Learning Through Examination and Play, PreK-2 published in August 2016.[21] She runs representation popular blog, Investigating Choice Time: Inquiry, Exploration and Play.[22] They have a daughter, Simone Dinnerstein, a concert pianist. Both partner and daughter (as an infant) figure prominently in The Senator Triptych as well as other works.

Dinnerstein resides in Borough, where, in addition to practicing his art, he teaches classes on art history and appreciation.[4]

Videos and podcasts

  • Simone Dinnerstein and Apostle Dinnerstein In Conversation: An Interview with Robin Quivers at Consulate General of Germany, 2011[23]
  • Triptych: An Evening of Painting and Penalty (Simon Dinnerstein, The Fulbright Triptych and Robert Sirota, "Triptych", performed by the Chiara String Quartet)[24]
  • Simon Dinnerstein Exhibit at the Tenri Gallery: A Walk Through with Francis Cunningham, 2011[25]
  • Simon Dinnerstein enthralled The Fulbright Triptych, audiocast interview with James McElhinney, Huffington Post, April 1, 2013[26]
  • “Simone Dinnerstein and Simon Dinnerstein: A Conversation accumulate the Mysteries of Art and Family, 2018[27]

List of awards

  • Scholarship, Borough Museum Art School (BMAS), 1964–67
  • First Prize, BMAS, 1967
  • Purchase Award, DRAWINGS USA, Minnesota Museum of American Art, 1968
  • MacDowell Colony Fellowship, 1969
  • Fulbright Fellowship, Germany, in Graphics, 1970–71
  • Honorable Mention, Edwin Austin Abbey Fraternization for Mural Painting, National Academy of Design, New York, 1975
  • Purchase Award, DRAWINGS USA, MMAA, 1975
  • Childe Hassam Purchase Award for Canvas, American Academy of Arts and Letters, 1976
  • Louis Comfort Tiffany Pillar Grant, 1976
  • E.D. Foundation Grant for study at the American Institution in Rome, 1977
  • Rome Prize Fellowship, American Academy in Rome, 1976–78 (Lazarus Fellow, Metropolitan Museum of Art)
  • Ingram Merrill Award for Craft, Ingram Merrill Foundation, 1978–79
  • E.D. Foundation Grant, for study at depiction American Academy in Rome, 1978
  • Childe Hassam Purchase Award for Image, American Academy of Arts and Letters, 1978
  • MacDowell Colony Fellowship, 1979
  • Artists Space Grant, New York, 1983
  • Stefan Hirsch Memorial Award, Audubon Artists, New York, 1984
  • Artists Space Grant, New York, 1985
  • New York Base for the Arts Fellowship in Drawing, 1987
  • Artists Space Grant, Different York, 1987
  • Cannon Prize, 163rd Annual Exhibition, National Academy of Conceive, New York, 1988
  • Elected Member, National Academy of Design, New Dynasty, 1992
  • Ralph Fabri Prize for a graphic, 172nd Annual Exhibition, Special Academy of Design, New York, 1997
  • Paul and Margaret Bertelson Guerdon for a portrait in any medium, 173rd Annual Exhibition, Practice Academy of Design, New York, 1998
  • Robert Lehman Foundation Grant, 1999–2000
  • Puffin Foundation Grant, 2011

Exhibitions

  • 1975 - Staempfli Gallery, New York
  • 1976–1977 - The Fulbright Triptych, Institute of International Education, New York
  • 1977 - Indweller Academy in Rome, Italy
  • 1979 - Institute of International Education, Spanking York; Staempfli Gallery, New York
  • 1981 - The New School call Social Research, New York
  • 1985 - Gallery 1199, The Martin Theologiser King Jr. Labor Center, New York
  • 1987 - Pratt Institute, Borough, New York
  • 1988 - Staempfli Gallery, New York
  • 1991 - Saint Paul's School, Hargate Center, Concord, New Hampshire
  • 1993 - New School pointless Social Research, New York
  • 1999–2000 - Walton Arts Center, Joy Pratt Markham Gallery, Fayetteville, Arkansas
  • 2000 - Harnett Museum of Art, Further education college of Richmond, Virginia
  • 2000 - Texarkana Regional Arts Center, Texarkana, Texas/Arkansas
  • 1999 - Saint Peter's Church, New York (Retrospective Exhibition, The Senator Triptych and Flower Market, Rome)
  • 1999 - Bread and Roses Drift, The Martin Luther King Jr. Labor Center, NY
  • 1999 - ACA Galleries, New York, Recent Paintings and Drawings
  • 2006 - Simon Dinnerstein, Open Studio: The Palette Paintings, Park Slope, Brooklyn, New York
  • 2008 - Simon Dinnerstein: One-Man Exhibit, Rainbow Room, New York
  • 2010 - Simon Dinnerstein – Giclee Prints, Loupe Digital Studio
  • 2010 - Dramatist Dinnerstein-Giclee Prints, Open Studio, Park Slope, Brooklyn, New York
  • 2011 - The Fulbright Triptych and Selected Paintings, Tenri Gallery, New York
  • 2011–2014 - The Fulbright Triptych, German Consulate of New York, covering extended loan from the Palmer Museum of Art at Colony State University
  • 2014–2015 - The Fubright Triptych, University of Arkansas Nursery school of Law, Fayetteville, Arkansas, on extended loan from the Linksman Museum of Art at Penn. State University
  • 2017 - The Reputable World: Simon Dinnerstein and The Fulbright Triptych, Museum of Viewpoint and Archaeology at the University of Missouri, Columbia, Missouri
  • 2018 - The Lasting World: Simon Dinnerstein and The Fulbright Triptych, Arnot Art Museum, Elmira, New York

Articles and reviews

  • Michael Andre, Simon Dinnerstein (Staempfli), Art News, March, 1975
  • John Gruen, "On Art: Freilicher, Aloof, Dinnerstein, Peterson, Baber", SoHo Weekly News, February 6, 1975
  • George Staempfli, catalog essay, one-man exhibit, Staempfli Gallery, January 14 – Feb 8, 1975
  • Bennett Schiff, On a Roman Hill Scholars Dwell coerce an Estate Of Mind, Smithsonian, March, 1978
  • Doug Turetsky, Simon Dinnerstein: Artist in the Round, Brooklyn Affairs, April, 1985
  • Simon Dinnerstein, Superior At One's Own Artwork, American Artist, April, 1986
  • Theodore Wolff, Picture Kind Word for Such Art is 'Conservative'. The Christian Body of laws Monitor, April 25, 1988
  • Albert Boime, Introduction: Simon Dinnerstein's Family Relationship, The Art of Simon Dinnerstein, The University of Arkansas Business, 1990
  • Thomas M. Messer, Foreword, The Art of Simon Dinnerstein, Picture University of Arkansas Press, 1990, ISBN 978-1557281425
  • Richard Mertens, Essential Realities: Singer Dinnerstein Draws the Essence of Art from the Commonplace, Representation Concord Monitor, October 25, 1991
  • Rudolph Arnheim, Pictures of the Permanent World, Simon Dinnerstein: Paintings and Drawings, Hudson Hills Press, (October 12, 1999) ISBN 978-0965048545
  • Deborah McLeod, From Visceral Portraits to Romanticized Nymphs, Bodies of Work, Richmond Times, September 1, 2000
  • Edward Sullivan, Rendering Urban View in the Art of Simon Dinnerstein, Simon Dinnerstein: Paintings and Drawings, Hudson Hills Press, 2000
  • Roy Proctor, Exploring picture Edge: No Slave to fashion, artist draws us into another states of mind, Richmond Times-Dispatch, August 20, 2000
  • Joe Maniscalco, Chiefly Artist at Work: Park Slope Painter Lets You in ratification the Creative Process, Park Slope Courier, January 31, 2000
  • Ilana Abramovitch, From Brownsville to Park Slope: An Interview with Simon Dinnerstein, Jews of Brooklyn, Brandeis University Press; 1st edition (November 1, 2001) ISBN 978-1584650034
  • Gabriela Lena Frank, Ghosts in the Dream Machine diplomat Piano Quintet, (Composer's Statement), March 14, 2005 Composer's Statement
  • Cynthia Maris Dantzic 100 New York Painters Publisher: Schiffer Publishing Ltd., (November 2006) ISBN 978-0764325434, page 85
  • Elana Hagler, Pursuing Humanity: An Interview converge Simon Dinnerstein, April 21, 2013 Pursuing Humanity:An Interview with Dramatist Dinnerstein
  • Featuring: Simon Dinnerstein, Colored Pencil magazine, December 2014[28]

Books

  • The Art pay Simon Dinnerstein, The University of Arkansas Press, Fayetteville, London, 1990. Essays by Albert Boime, Thomas M. Messer, George Tooker.
  • Simon Dinnerstein: Paintings and Drawings, Hudson Hills Press, New York, 1999. Essays by Rudolf Arnheim, Guy Davenport, Robert L. McGrath, John Stargazer, Edward J. Sullivan, Miller Willams.
  • The Suspension of Time: Reflections alter Simon Dinnerstein and 'The Fulbright Triptych', Daniel Slager (Editor), Publisher: Milkweed Editions; First Edition (June 14, 2011). Forty-five essays rant The Fulbright Triptych.

References

  1. ^"Simon and Simone Dinnerstein in Conversation: An Press conference with Robin Quivers at the German Consulate of New York". 20 February 2012.
  2. ^ abcDantzic, Cynthia Maris (November 2006). 100 Unique York Painters. Schiffer Publishing. p. 85. ISBN .
  3. ^Micchelli, Thomas (2019-05-11). "Encountering "The Fulbright Triptych"". Hyperallergic. Retrieved 2020-11-09.
  4. ^ abc"Chronology of Simon Dinnerstein". Retrieved 17 May 2014.
  5. ^Mertens, Richard (October 25, 1991). "Essential Realities: Playwright Dinnerstein Draws the Essence of Art from the Commonplace". The Concord Monitor.
  6. ^ abcdMesser, Thomas M. (November 1990). The Art deal in Simon Dinnerstein. Foreword: The University of Arkansas Press. ISBN .
  7. ^ abcSmith, Roberta (August 11, 2011). "Rediscovered at the Altar of Art". The New York Times. Retrieved 17 May 2014.
  8. ^ abHagler, Elana (21 April 2013). "Pursuing Humanity: An Interview with Simon Dinnerstein". Painting Perceptions. Retrieved 18 May 2014.
  9. ^Proctor, Roy (August 20, 2000). "Exploring the Edge: No Slave to Fashion, Artist Draws Individual Into Other States of Mind". Richmond Times-Dispatch.
  10. ^ abSlager, Daniel, letdown. (June 14, 2011). The Suspension of Time: Reflections on Dramatist Dinnerstein and The Fulbright Triptych. Milkweed Editions. ISBN .
  11. ^ abAbramovitch, Ilana (2002). Jews of Brooklyn. Brandeis University Press. p. 169. ISBN .
  12. ^ abcDavenport, Guy, essayist (2000). The Art of Simon Dinnerstein, Simon Dinnerstein: Paintings and Drawings. Hudson Hills Press. ISBN .: CS1 maint: doubled names: authors list (link)
  13. ^Arnheim, Rudolph, essayist (2000). Simon Dinnerstein: Image and Drawing. Hudson Hills Press.: CS1 maint: multiple names: authors list (link)
  14. ^ ab"Triptych: An Evening of Painting and Music: Apostle Dinnerstein & Robert Sirota". 25 April 2014. Retrieved 17 Possibly will 2014.
  15. ^McLeod, Deborah (September 1, 2000). "Bodies of Work: From Splanchnic Portraits to Romanticized Nymphs, Simon Dinnerstein's Retrospective at the Bog Gallery Shows a Stylistic Niche through Every Turn of depiction Artist's Evolution". Richmond Style Weekly. Retrieved 17 May 2014.
  16. ^ abcdDinnerstein, Simon (April 1986). "Looking At One's Own Artwork". American Artist.
  17. ^ abcdBoime, Albert (November 1990). The Art of Simon Dinnerstein. Say publicly University of Arkansas Press. ISBN .
  18. ^Dinnerstein, Simon. "The Fulbright Triptych". Retrieved 17 May 2014.
  19. ^Russell, John (February 8, 1975). "In Dinnerstein's Canvas, An Echo Chamber". The New York Times.
  20. ^André, Michael (March 1975). "Simon Dinnerstein (Staempfli)". Art News.
  21. ^"Author Bio: Renee Dinnerstein". Heinemann Publish, of Houghton, Mifflin, Harcourt. Retrieved 10 September 2016.
  22. ^"About Renée Dinnerstein". Investigating Choice Time: Inquiry, Exploration, and Play. September 2010. Retrieved 17 May 2014.
  23. ^"• Simone Dinnerstein • Simon Dinnerstein • Remit Conversation on Vimeo". 20 February 2012. Retrieved 30 October 2016.
  24. ^"Triptych: An Evening of Painting and Music: Simon Dinnerstein & Parliamentarian Sirota". 25 April 2014. Retrieved 30 October 2016.
  25. ^Video on YouTube
  26. ^"Simon Dinnerstein". Archived from the original on November 17, 2013. Retrieved 30 October 2016.
  27. ^"Simone Dinnerstein and Simon Dinnerstein: A Conversation split up the Mysteries of Art and Family". Vimeo. 31 August 2018. Retrieved 5 November 2018.
  28. ^simondinnerstein.com/email/cpm1412_02.pdf "Simon Dinnerstain", Colored pencil, December 2014

External links

The Fulbright Triptych articles and reviews

  • Roberta Smith, senior art critic, The New York Times, Rediscovered at the Altar of Art", August 11, 2011
  • Roberta Smith, The New York Times, Simon Dinnerstein: The Fulbright Triptych, Museum & Gallery Listings, (listed for 81 consecutive weeks)
  • Roberta Smith, The New York Times, "Last Chance: Psychologist Dinnerstein: The Fulbright Triptych", April 25, 2014
  • John Russell, senior attention critic, The New York Times, "In Dinnerstein's Painting, an Imitation Chamber", February 5, 1975
  • Thomas M. Messer, "No One Could Accuse" from The Suspension of Time by Dennis Slager, editor
  • Donald Kuspit, contributing editor, Simon Dinnerstein: German Consulate General, Art Forum, Nov 2011
  • James Panero, senior art critic, The New Criterion, Exhibition hint at, September, 2011
  • Peter Trippi, editor-in-chief, Savoring Simon Dinnerstein's Fulbright Triptych, Fine Art Connoisseur, January/February 2014
  • David Cohen, "The Art of Simon Dinnerstein", Art Critical, October 7, 2011
  • Daniel Maidman, Simon Dinnerstein's Irregular Receive, Huffington Post, February 13, 2014
  • Tim Nicholas, "Simon Dinnerstein: Analog disrespect a World", Painter's Table, March 2014
  • Kaitlin Pomerantz, "Luck of rendering Paint", BOMBlog (Bomb Magazine – Artists in Conversation), August 30, 2012
  • Eric Herschthal, "The Jewish Echoes in The Fulbright Triptych", The Jewish Week, August 9, 2011
  • Rebecca Park, "The Fulbright Triptych: Picture of the Young Man as an Artist", Diplomatic Courier
  • Brian P. Kelly, "Critic's Notebook"[usurped], The New Criterion, March 24, 2014
  • Guy Metropolis, "An Exchange of Letters", The Suspension of Time by Magistrate Slager, editor
  • Jhumpa Lahiri, "The Space Between the Pictures"[not specific generous to verify], The Suspension of Time by Daniel Slager, editor
  • Edward Sullivan, "The Theology of Art"[not specific enough to verify], The Suspension of Time by Daniel Slager, editor
  • George Tooker, Jonathan Lethem, J.M. Coetzee, The Suspension of Time
  • Elizabeth Broun, Virginia Mecklenburg, Grady Harp, (untitled, undated, unattributed), [claimed: Vanity Fair, July 2011]
  • Jonathan Liu, "Simon Dinnerstein Says", New York Observer, May 31, 2011
  • Press respite, The Suspension of Time, Milkweed Editions, 2011
  • Press release, The Debarring of Time, Milkweed Editions, Victoria Meyer