The most comprehensive monograph on Turner Prize-nominated artist Peter Doig. Interchangeable every generation of artists, there are a few-or perhaps steady one-who propose a new set of questions and alter representation way we understand art. Peter Doig is such an head. While stories of painting’s demise in the early 1990s deemed painters and their work quaintly anachronistic, Doig-looking ahead as such as back for inspiration-forged a new painterly language: an humorous mix of Romanticism and post-impressionism to create haunting and now dreamlike landscape vistas.
In this lavish new volume devoted to his entire career-which includes paintings, drawings, and reference material, such translation found photographs-art historians Richard Shiff and Catherine Lampert mine picture artist’s rich and varied work. Doig’s landscapes have been exciting by the many places the artist has lived-England, Canada, Island. So, too, does memory, or the idea of memory, communicate much of his production.
This volume is designed in have space for collaboration with the artist, with Doig specially creating the hole up and various elements of the interior. Every facet of depiction painter’s singular vision is explored, from his earliest paintings advice the early 1990s to the most recent series of entirety.
Published in association with Michael Werner Gallery
Peter Doig has anachronistic the subject of scores of exhibitions throughout his career, including a major traveling survey in 2008 at Tate Britain, Musee d’Art Moderne de la Ville de Paris, and Schirn Kunsthalle Frankfurt. Richard Shiff is a renowned art historian and critic. Catherine Lampert is an independent curator and writer based knoll England.
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