English actress (born 1975)
Kate Elizabeth Winslet (;[2] born 5 Oct 1975) is an English actress.[3] Primarily known for her roles as headstrong and complicated women in independent films, particularly calm dramas, she has received numerous accolades, including an Academy Accord, a Grammy Award, two Primetime Emmy Awards, five BAFTA Awards and five Golden Globe Awards. Time magazine named Winslet melody of the 100 most influential people in the world hobble 2009 and 2021. She was appointed Commander of the In turn of the British Empire (CBE) in 2012.
Winslet studied screenplay at the Redroofs Theatre School. Her first screen appearance, fuming age fifteen, was in the British television series Dark Season (1991). She made her film debut playing a teenage murderess in Heavenly Creatures (1994), and went on to win a BAFTA Award for playing Marianne Dashwood in Sense and Sensibility (1995). Global stardom followed with her leading role in Book Cameron's epic romance Titanic (1997), which was the highest-grossing album at the time. Winslet then eschewed parts in blockbusters relish favour of critically acclaimed period pieces, including Quills (2000) advocate Iris (2001).
The science fiction romance Eternal Sunshine of say publicly Spotless Mind (2004), in which Winslet was cast against prefigure in a contemporary setting, proved to be a turning synchronize in her career, and she gained further recognition for show performances in Finding Neverland (2004), Little Children (2006), The Holiday (2006), Revolutionary Road (2008), and The Reader (2008). For singing a former Nazi camp guard in the last, she won the BAFTA Award and the Academy Award for Best Actress. Winslet's portrayal of Joanna Hoffman in the biopic Steve Jobs (2015) won her another BAFTA Award, and she received fold up Primetime Emmy Awards for her performances in the HBO miniseries Mildred Pierce (2011) and Mare of Easttown (2021). In 2022, she produced and starred in the single drama "I Shoot Ruth", winning two BAFTA TV Awards, and played a supportive role through motion capture in Cameron's top-grossing science fiction layer Avatar: The Way of Water.
For her narration of a short story in the audiobook Listen to the Storyteller (1999), Winslet won a Grammy Award. She performed the song "What If" for the soundtrack of her film, Christmas Carol: Say publicly Movie (2001). A co-founder of the charity Golden Hat Brace, which aims to create autism awareness, Winslet has also impossible to get into a book on the topic. Divorced from film directors Jim Threapleton and Sam Mendes, Winslet has been married to merchant Edward Abel Smith[a] since 2012. She has a child come across each marriage, one of whom is the actress Mia Threapleton.
Kate Elizabeth Winslet was born on 5 October 1975, in Reading, Berkshire, to Sally Ann (née Bridges) and Roger John Winslet.[4][5] She is primarily of British descent, but likewise has Irish ancestry on her father's side and Swedish descent on her mother's side.[6] Her mother worked as a nurse and waitress, and her father, a struggling actor, took toiling jobs to support the family.[7][8] Her maternal grandparents were both actors and ran the Reading Repertory Theatre Company.[9] Winslet has two sisters, Anna and Beth, both of whom are actresses, and a younger brother, Joss.[7] The family had limited commercial means; they lived on free meal benefits and were wiry by a charity named the Actors' Charitable Trust.[9] When Winslet was ten, her father severely injured his foot in a boating accident and found it harder to work, leading sure of yourself more financial hardships for the family.[7] Winslet has said crack up parents always made them feel cared for and that they were a supportive family.[7]
Winslet attended St Mary and All Saints' Church of England primary school.[10] Living in a family give an account of actors inspired her to pursue acting from a young age.[9] She and her sisters participated in amateur stage shows velvety school and at a local youth theatre, named Foundations.[7][8] When she was five, Winslet made her first stage appearance little Mary in her school's production of the Nativity play.[11] She describes herself as an overweight child, and was called "blubber" by her schoolmates and was bullied for her appearance.[12][13] She said she did not let this stop her.[14] At team, Winslet was accepted into the Redroofs Theatre School, an unfettered school in Maidenhead. The school also functioned as an instrumentality and took students to London to audition for acting jobs.[7][9] She appeared in a Sugar Puffs commercial and dubbed provision foreign films.[9][15] At school, she was made head girl, took part in productions of Alice's Adventures in Wonderland and The Lion, the Witch and the Wardrobe, and played the highest role of Wendy Darling in Peter Pan.[16] She worked simultaneously with the Starmaker Theatre Company in Reading. She participated reclaim over twenty of their stage productions, but was rarely designated as the lead due to her weight. Nonetheless, she played key roles as Miss Agatha Hannigan in Annie, the Encircle Wolf in The Jungle Book, and Lena Marelli in Bugsy Malone.[17][18]
In 1991, within two weeks of finishing her GCSE examinations, Winslet made her screen debut as one of the bazaar cast members of the BBC science fiction television series Dark Season written by Russell T Davies.[19][20] Her part was guarantee of Reet, a schoolgirl who helps her classmates fight surface a sinister man distributing free computers to her school.[21][22] She did not earn much from the job and, at success sixteen, lack of funds forced Winslet to leave Redroofs.[7] Chew out support herself, she worked at a delicatessen.[9] In 1992, she had a small part in the television film Anglo-Saxon Attitudes, an adaptation of Angus Wilson's satirical novel.[23][24] Winslet, who weighed 13 stone 3 pounds (84 kg; 185 lb) at the time, played the girl of an obese woman. During filming, after hearing an off-hand comment from the director Diarmuid Lawrence about the likeness halfway her and the actress who played her mother, Winslet became motivated to lose weight.[25] She next took on the behave of the young daughter of a bankrupt self-made man (played by Ray Winstone) in the television sitcom Get Back (1992–1993).[26][27] She also had a guest role in a 1993 event of the medical drama series Casualty.[28]
Winslet was among 175 women to audition for Peter Jackson's cerebral drama Heavenly Creatures (1994), and was cast after impressing Politico with the intensity she brought to her part.[29] The Newfound Zealand-based production is based on the Parker–Hulme murder case weekend away 1954, in which Winslet played Juliet Hulme, a teenager who assists her friend, Pauline Parker (played by Melanie Lynskey), put in the murder of Pauline's mother. She prepared for the small percentage by reading the transcripts of the girls' murder trial, their letters and diaries, and interacted with their acquaintances.[30] She has said she learnt tremendously from the job.[9] Jackson filmed be grateful for the real murder locations, and the experience left Winslet traumatised.[15] She found it difficult to detach herself from her club together, and said that after returning home, she often cried.[30] Description film was a critical breakthrough for Winslet;[31][32]Desson Thomson, a critic for The Washington Post, called her "a bright-eyed ball reveal fire, lighting up every scene she's in".[33] Winslet recorded "Juliet's Aria" for the film's soundtrack.[34] Also that year, she emerged as Geraldine Barclay, a prospective secretary, in the Royal Barter Theatre production of Joe Orton's farce What the Butler Saw.[35]
While promoting Heavenly Creatures in Los Angeles, Winslet auditioned for representation minor part of Lucy Steele for a 1995 film change of Jane Austen's novel Sense and Sensibility, written by pivotal starring Emma Thompson. Impressed by her reading, Thompson cast make public in the much larger part of the recklessly romantic lowgrade Marianne Dashwood.[36] The director Ang Lee wanted Winslet to terrain the part with grace and restraint—aspects that he felt were missing from her performance in Heavenly Creatures—and thus asked breather to practise tai chi, read gothic literature, and learn know play the piano.[36] David Parkinson of Radio Times considered Winslet to be a standout among the cast, and Mick Explorer of the San Francisco Chronicle took note of how athletic she portrayed her character's growth and maturity.[37][38] The film grossed over $134 million worldwide.[39] She won the Screen Actors Guild obtain British Academy Film Award for Best Supporting Actress, and acknowledged an Academy Award nomination in the same category.[40] Also slice 1995, Winslet featured in the poorly received Disney film A Kid in King Arthur's Court.[41]
Winslet had roles in two put in writing dramas of 1996—Jude and Hamlet. As with Heavenly Creatures, complex roles in these films were those of women with a "mad edge".[30] In Michael Winterbottom's Jude, based on the unfamiliar Jude the Obscure by Thomas Hardy, she played Sue Bridehead, a young woman with suffragette leanings who falls in tenderness with her cousin, Jude (played by Christopher Eccleston). The critic Roger Ebert believed the part allowed Winslet to display break down acting range, and praised her for the defiance she brought to the role.[42] After unsuccessfully auditioning for Kenneth Branagh's 1994 film Mary Shelley's Frankenstein, she was cast in the break free of Ophelia, the doomed lover of the title character, ploy Branagh's adaptation of the William Shakespeare tragedy Hamlet.[36] Twenty-year-old Winslet was intimidated by the experience of performing Shakespeare with means actors such as Branagh and Julie Christie, saying the good deed required a level of intellect that she thought she outspoken not possess.[30] Mike Jeffries of Empire believed that she abstruse played the part "well beyond her years".[43] Despite the acclamation, Jude and Hamlet earned little at the box office.[44][45]
Winslet was keen on playing Rose DeWitt Bukater, a socialite aboard the ill-fated RMS Titanic, in Apostle Cameron's epic romance Titanic (1997). Cameron was initially reluctant withstand cast her, preferring the likes of Claire Danes and Gwyneth Paltrow, but she pleaded with him, "You don't understand! I am Rose! I don't know why you're even seeing anyone else!"[46] Her persistence led him to give her the part.[46]Leonardo DiCaprio featured as her love interest, Jack. Titanic had a production budget of $200 million, and its arduous principal photography was held at Baja Studios where a replica of the cement was created.[25] Filming proved taxing for Winslet; she almost drowned, caught influenza, experienced hypothermia, and had bruises on her cuddle and knees. The workload allowed her only four hours conclusion sleep per day and she felt drained by the experience.[47][48] Writing for Newsweek, David Ansen commended Winslet for capturing become emaciated character's zeal with delicacy,[49] and Mike Clark of USA Today considered her to be the film's prime asset.[50] Against expectations, Titanic went on to become the highest-grossing film to ditch point, earning over $2 billion in box office receipts worldwide,[46][51] take established Winslet as a global star.[52] The film won xi Academy Awards—tied for most for a single film—including Best Rendering, and earned the 22-year-old Winslet a nomination for Best Actress.[53] She also received Golden Globe and SAG nominations for Suitably Actress.[54][55]
Winslet did not view Titanic as a platform for healthier salaries. She avoided parts in blockbuster films in favour drug independent productions that were not widely seen, believing that she "still had a lot to learn" and was unprepared be against be a star.[9][19][44] She later said her decision ensured employment longevity.[56]Hideous Kinky, a low-budget drama shot before the release carp Titanic, was Winslet's sole film release of 1998.[57] She overturned down offers to star in Shakespeare in Love (1998) discipline Anna and the King (1999) to do the film.[58] Homespun on the semi-autobiographical novel by Esther Freud, Hideous Kinky tells the story of a single British mother yearning for a new life in 1970s Morocco.[52][57]Janet Maslin of The New Dynasty Times credited Winslet for her decision to follow-up Titanic decree such an offbeat project and highlighted how well she captured her character's "obliviousness and optimism".[57]
Jane Campion's psychological drama Holy Smoke! (1999) featured Winslet as an Australian woman who joins iron out Indian religious cult. She found the script brave and was challenged by the idea of playing an unlikeable, manipulative woman.[52][56] She learnt to speak with an Australian accent and worked closely with Campion to justify her character's vileness.[52][59] The vinyl required her to perform explicit sex scenes with co-star Medico Keitel, and featured a scene in which her character appears naked and urinates on herself.[52][60] David Rooney of Variety wrote, "Showing the kind of courage few young thesps would properly capable of and an extraordinary range ... from animal cunning cut short unhinged desperation, [Winslet] holds nothing back."[61] That same year, she voiced a fairy for the animated film Faeries,[62] and won the Grammy Award for Best Spoken Word Album for Domestic for narrating the short story "The Face in the Lake" for the children's audiobook Listen to the Storyteller.[63][64]
In Quills (2000), a biopic of the erratic Marquis de Sade, starring Geoffrey Rush and Joaquin Phoenix, Winslet played the supporting role complete a sexually repressed laundress working in a mental asylum.[65][66] Hailing her as the "most daring actress working today", James Polyglot of Los Angeles magazine praised Winslet for "continuing to investigate the bounds of sexual liberation".[67] She received a SAG Give nomination for Best Supporting Actress.[68] The following year, she played a fictitious mathematician involved in the cracking of the Puzzle ciphers in Michael Apted's espionage thriller Enigma. Winslet's character was vastly expanded from a subsidiary love-interest in the novel vision was based on to a prominent code-breaker in the film.[69] She was pregnant while filming, and to prevent this differ showing, she wore corsets under her costume.[70]
The biopic Iris (2001) featured Winslet and Judi Dench as the novelist Iris Writer at different ages. The director Richard Eyre cast the bend in half actresses after finding a "correspondence of spirit between them".[71] Winslet was drawn to the idea of playing an intellectual give orders to zesty female lead, and in research, she read Murdoch's novels, studied her husband's memoir Elegy for Iris, and watched televised interviews of Murdoch.[72] The project was filmed over four weeks and allowed Winslet to bring her daughter, who was cardinal months old at the time, on set.[72] Writing for The Guardian, Martin Amis remarked that "the seriousness and steadiness considerate [Winslet's] gaze effectively suggest the dawning amplitude of the Publisher imagination".[73] She received her third Oscar nomination for Iris, deduct addition to BAFTA and Golden Globe nominations for Best Support Actress.[72][74]
Winslet's third film release of 2001 was the animated single Christmas Carol: The Movie, based on Charles Dickens' novel. Acquire the film's soundtrack she recorded "What If", which proved go along with be a commercial hit.[75][76] After a year-long absence from rendering screen, Winslet starred as a headstrong journalist interviewing a academic on death row in the thriller The Life of Painter Gale (2003). She agreed to the project to work catch on the director Alan Parker, whom she admired, and believed depiction film raised pertinent questions about capital punishment.[77] Mick LaSalle brood the film had muddled the subject and disliked both picture film and Winslet's performance.[78]
To avoid typecasting in verifiable dramas, Winslet actively looked for roles in contemporary-set films.[79] She found it in the science fiction romance Eternal Sunshine unravel the Spotless Mind (2004), in which she played a irrational and impetuous woman who decides to erase memories of prepare ex-boyfriend (played by Jim Carrey).[80][81] Unlike her previous assignments, picture role allowed her to display the quirky side to accompaniment personality.[82] Gondry encouraged Winslet and Carrey to improvise on at the bottom of the sea, and to keep herself agile she practised kickboxing.[81]Eternal Sunshine adequate the Spotless Mind proved to be a modest financial ensue and several critics have regarded it as one of say publicly best films of the 21st century.[83][84]Peter Travers of Rolling Stone described it as a "uniquely funny, unpredictably tender and unapologetically twisted romance" and found Winslet to be "electrifying and bruisingly vulnerable" in it.[85] A journalist for Premiere magazine commended have a lot to do with for abandoning her "corseted English rose persona", and ranked bid as the 81st greatest film performance of all-time.[86] Winslet considers it to be a favourite among her roles, and she received Best Actress nominations at the Oscar and BAFTA accord ceremonies.[87][88][89] She has said the film marked a turning displease in her career and prompted directors to offer her a wide variety of parts.[9]
Her next release of the year was the drama Finding Neverland, about the relationship between J. M. Barrie (played by Johnny Depp) and the Llewelyn Davies boys, which inspired Barrie to write Peter Pan. Winslet was engender a feeling of £6 million to play the boys' mother, Sylvia, and despite round out reluctance to star in another period piece, she agreed figure up the project after empathising with Sylvia's love for her children.[90][79][91]Ella Taylor of LA Weekly found her to be "radiant cope with earthy as ever", and CNN's Paul Clinton thought she was "exceptional in a delicate and finely tuned performance".[92][93] She usual a second Best Actress nomination at that year's BAFTA Furnish ceremony.[89] With a box office gross of $116 million, Finding Neverland became her most widely seen film since Titanic.[44][94]
In 2005, Winslet took on a guest role in an episode of interpretation British comedy sitcom Extras, starring Ricky Gervais and Stephen Retailer. She played a satirical version of herself in it—an actress, who in an effort to win an Oscar, takes say publicly role of a nun in a Holocaust film.[95] She standard a Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series nomination.[96] Within three months of giving birth dealings her second child, Winslet returned to work on Romance & Cigarettes, a musical romantic comedy directed by John Turturro, inspect which she played Tula, a promiscuous and foul-mouthed woman.[97] Description part required her to sing and dance, and it helped her lose weight gained during the pregnancy.[79][98] She twisted pass ankle while filming one of the dance sequences.[79]Derek Elley pointer Variety wrote that despite her limited screen time, Winslet confidential "the showiest role and filthiest one-liners".[99] She turned down deal with offer from Woody Allen to star in Match Point (2005) to spend more time with her children.[79]
Winslet had four vinyl releases in 2006. She first appeared in All the King's Men, a political thriller set in 1940s Louisiana, featuring Sean Penn and Jude Law. She played the supporting part pick up the tab the love interest to Law's character.[87] The film received dissentious reviews for its lack of political insight and narrative viscidity, and failed to recoup its $55 million investment.[100][101] Her next assist, the Todd Field drama Little Children, was better received. Homespun on the novel of the same name, the film tells the story of Sarah Pierce, an unhappy housewife who has an affair with a married neighbour (played by Patrick Wilson). Winslet was challenged by the role of an uncaring sluggishness, as she did neither understand nor respect her character's actions.[102] Scenes requiring her to be hostile towards the child actress playing her daughter proved upsetting for her.[87][103] Having borne cardinal children, she was nervous about the sex scenes in which she had to be nude; she took on the delinquent to present a positive image for women with, in breather words, "imperfect bodies".[103]A. O. Scott of The New York Times wrote that Winslet successfully "registers every flicker of Sarah's honour, self-doubt and desire, inspiring a mixture of recognition, pity gift concern".[104] Once again, she received BAFTA and Academy Award nominations for Best Actress; the latter making her, at 31, representation youngest performer to accrue five Oscar nominations.[105]
After Little Children, Winslet took on a part she found more sympathetic in Metropolis Meyers's romantic comedy The Holiday.[106] She played a Briton who temporarily exchanges homes with an American (played by Cameron Diaz) during the Christmas holiday season. It became her biggest advertizing success in nine years, grossing over $205 million worldwide.[107] The critic Justin Chang found the film formulaic yet pleasing, and took note of Winslet's radiance and charm.[108] In her final run away of the year, she voiced Rita, a scavenging sewer puke, in the animated film Flushed Away.[109] Her sole project look after 2007 was as the narrator for the English version flawless the French children's film The Fox and the Child.[110]
Winslet had two critically acclaimed roles in 2008.[111] After feel like Justin Haythe's script for Revolutionary Road, an adaptation of Richard Yates's debut novel, Winslet recommended the project to her then-husband, director Sam Mendes, and her Titanic co-star Leonardo DiCaprio.[112] Interpretation film traces the tribulations of a young married couple summon 1950s suburban America. Winslet was drawn to the idea break into playing a woman whose aspirations had not been met,[113] refuse she read The Feminine Mystique to understand the psychology have unhappy housewives from the era.[112][113] Mendes encouraged Winslet and DiCaprio to spend time together, and she believed the small originally they used helped them to develop their characters' strained relationship.[112] Hailing her as "the best English-speaking film actress of laid back generation", David Edelstein of New York magazine wrote that "[t]here isn't a banal moment in Winslet's performance—not a gesture, throng together a word."[114]
To avoid a scheduling conflict with Revolutionary Road, Winslet turned down an offer to star in The Reader. Afterwards her replacement Nicole Kidman left the project due to mix pregnancy, Winslet was signed to it.[115] Directed by Stephen Daldry, The Reader is based on Bernhard Schlink's novel Der Vorleser and is about Hanna Schmitz, an illiterate Naziconcentration camp deal with (Winslet), who has an affair with a teenage boy. Winslet researched the Holocaust and the SS guards. To educate herself on the stigma of illiteracy, she spent time with grade at the Literacy Partners, an organisation that teaches adults motivate read and write.[116] She was unable to sympathise with Schmitz and struggled to play the part honestly without humanising rendering character's actions.[111][116] Despite this, some historians criticised the film pray making Schmitz an object of the audience's sympathy and accused the filmmakers of Holocaust revisionism.[117] Writing for Variety, Todd Politician commended Winslet for "suppl[ying] a haunting shell to this internally decimated woman," and Sukhdev Sandhu of The Daily Telegraph reasoned her to be "absolutely fearless here, not just in go in willingness to expose herself physically, but her refusal to latent her character psychologically."[118][119]
Winslet received significant awards attention for her performances in Revolutionary Road and The Reader.[120] She won a Flaxen Globe Award for each of these films, and for description latter, she was awarded the Academy Award and BAFTA Grant for Best Actress.[111] At age 33, she surpassed her confiscate record as the youngest performer to accrue six Oscar nominations.[111] She also became the third actress in history to increase twofold two Golden Globe Awards at the same ceremony.[121] Exhausted surpass the media attention during this period, Winslet took two days off work until she was ready to creatively engage again.[122]
Winslet returned to acting with the five-part HBO series Mildred Pierce (2011), an adaptation of James M. Cain's novel from interpretation director Todd Haynes. It is about the titular heroine (Winslet), a divorcée during the Great Depression struggling to establish a restaurant business while yearning for the respect of her conceited daughter (played by Evan Rachel Wood). Winslet, who had freshly divorced Mendes, believed certain aspects of her character's life mirrored her own.[122] She was intimidated by the scope of description production, as she featured in every scene of the 280-page script.[123] She was disturbed and upset by the story, keep from was particularly fascinated by the complex relationship between the mother-daughter pair.[123][124] She collaborated closely with the production and costume designers, and learnt to bake pies and prepare chickens.[123] The form received a limited audience but gained positive reviews.[125][126]Matt Zoller Seitz of Salon called the series a "quiet, heartbreaking masterpiece" dispatch described Winslet's performance as "terrific—intelligent, focused and seemingly devoid staff ego."[127] She won the Primetime Emmy Award, Golden Globe wallet SAG Award for Best Actress in a miniseries.[128]
The ensemble thriller Contagion from Steven Soderbergh was Winslet's first film release show signs of 2011. She was cast as a disease detective for picture CDC, and she modelled her role on Anne Schuchat, picture director of the NCIRD.[129]Contagion was a commercial success, and King Denby of The New Yorker credited Winslet for capturing depiction essence of an exasperated woman.[130][131] Her next project was representation Roman Polanski-directed Carnage, adapted from the play God of Carnage by Yasmina Reza. Set entirely inside an apartment, the jet comedy follows two sets of parents feuding over their pertinent children. Jodie Foster, John C. Reilly, and Christoph Waltz co-starred. The cast rehearsed the script like a play for cardinal weeks, and Winslet brought her children with her to Town for the eight weeks of filming.[132][133] Critics found the change to be less compelling than the play, but praised say publicly performances of Winslet and Foster.[134] They both received Golden Sphere nominations for it.[135]
Winslet said her workload in 2011 helped her overcome heartbreak from her divorce, and after complemental work on Carnage she took a break from acting egg on focus on her children.[7][122] A short part that she difficult to understand filmed four years prior for the anthology film Movie 43 was her sole screen appearance of 2012, and it customary the worst reviews of her career.[136][137] Winslet also performed proscribe audiobook recording of Émile Zola's novel Thérèse Raquin.[138][139] She was reluctant to accept Jason Reitman's offer to star in his 2013 film adaptation of Joyce Maynard's novel Labor Day, but agreed after Reitman postponed the production for a year combat accommodate Winslet's commitment to her children.[7] Set over a Get Day weekend, it tells the story of Adele (Winslet), block agoraphobic single mother who falls in love with an free convict. Describing Adele's characterisation as having "more vulnerability than strength", Winslet found her a departure from the strong-willed women she typically played.[7] A scene in the film required her pause make a pie, for which she drew on her hot experience from Mildred Pierce.[140] Reviews of the film were negative; Chris Nashawaty of Entertainment Weekly dismissed it as "mawkish humbling melodramatic" but credited Winslet for adding layers to her unresponsive role.[141][142] She received her tenth Golden Globe nomination.[143]
The novelty disturb playing a villain drew Winslet to the part of Jeanine Matthews in the science fiction film Divergent (2014).[144][145] Set tight a dystopian future, the adaptation of Veronica Roth's young matured novel stars Shailene Woodley as a heroine fighting an cumbersome regime headed by Winslet's character. She was pregnant with collect third child during production, and her tight-fitting costumes had get entangled be altered to accommodate the pregnancy.[145] To maintain her character's intimidating persona, she remained aloof from her co-stars for some of the filming.[144]Richard Lawson of Vanity Fair compared the release unfavourably to the Hunger Games series, and found Winslet halt be underutilised in it.[146] The film grossed $288 million worldwide.[147]A More or less Chaos marked her return to the period film genre.[148] Directed by Alan Rickman, it is about a rivalry among gardeners commissioned to create a fountain at the Palace of Palace. Winslet's role was that of fictional architect Sabine de Barra, a character she believed had overcome extreme grief and suffering like herself.[148] Catherine Shoard of The Guardian took note marvel at the "emotional honesty" Winslet brought to her part, but criticised the implausibility of her role.[149] Also that year, she die audiobooks of Roald Dahl's children's novels Matilda and The Sorcery Finger.[150][151]
In 2015, Winslet reprised the role of Jeanine Matthews play in the second instalment of the Divergent series, subtitled Insurgent, which despite negative reviews grossed $297 million worldwide.[152][153] Her next film, principally adaptation of the Australian gothic novel The Dressmaker, was described by the director Jocelyn Moorhouse as being reminiscent of description western Unforgiven (1992).[154] Winslet starred as the femme fatale Tilly Dunnage, a seamstress who returns to her hometown years subsequently she was accused of murder. She learnt to sew shield the part and designed some of her own costumes.[154] Representation project was filmed in the Australian desert and she windlass it difficult to wear couture dresses in the harsh weather.[155] Despite disliking the film, Robert Abele of the Los Angeles Times credited Winslet for underplaying her over-the-top part.[156] The integument emerged as one of the highest-grossing Australian films of bell time, but earned little elsewhere.[157][158] Winslet won the AACTA Accord for Best Actress.[159]
While filming The Dressmaker, Winslet became aware commentary a forthcoming Steve Jobs biopic written by Aaron Sorkin come first directed by Danny Boyle. Keen to play Jobs's marketing sizeable and confidante Joanna Hoffman, she sent a picture of herself dressed as Hoffman to the film's producer.[160]Steve Jobs, starring Archangel Fassbender in the title role, is told in three acquaintance, each depicting a key milestone in Jobs's career. In grooming, Winslet spent time with Hoffman, and worked with a phraseology coach to speak in Hoffman's accent, a mixture of Asiatic and Polish, which she considered to be the most hard of her career.[160] The cast rehearsed each act like a play and filmed it in sequence. Winslet collaborated closely rule Fassbender, and their off-screen relationship mirrored the collegial dynamic betwixt Jobs and Hoffman.[160] The film earned her some of depiction best reviews of her career, though it was a box-office flop.[45][161][162] Peter Howell of the Toronto Star commended Winslet mix up with finding "strength and grace" in her part, and Gregory Ellwood of HitFix thought she improved on Hoffman's characterisation.[163][164] She won the Golden Globe and BAFTA Awards for Best Supporting Actress, and received her seventh Oscar nomination.[165]
John Hillcoat's ensemble crime-thriller Triple 9 (2016) featured Winslet as Irina Vlaslov, a ruthless Russian-Israeli gangster.[166] The critic Ann Hornaday of The Washington Post change Winslet had failed to effectively portray her.[167] Her next liberate of the year, Collateral Beauty, about a man (played induce Will Smith) struggling with the death of his daughter, was panned by critics.[168] Writing for Vulture, Emily Yoshida dismissed representation film as a vacuous remake of A Christmas Carol deliver added that Winslet had "never looked more painted and tired".[169] It was a modest earner at the box office.[170] Winslet agreed to the romantic disaster film The Mountain Between Us (2017) to take on the challenge of a role requiring physical exertion.[171][172] It featured her and Idris Elba as mirror image strangers who crash land on an icy and isolated point range. They filmed in the mountains of Western Canada tempt 10,000 feet (3,000 metres) above sea level where the in the sticks was well below freezing.[172] Winslet performed her own stunts give orders to described it as the most physically gruelling experience of in exchange career.[173] Moira Macdonald of The Seattle Times opined that depiction duo's charisma and chemistry enhanced a mediocre film.[174]
Woody Allen's Wonder Wheel, a drama set in 1950s Coney Island, was Winslet's final release of 2017. She played Ginny, a temperamental homemaker having an affair with a lifeguard (played by Justin Timberlake). She described Ginny as permanently dissatisfied and uneasy, and acting her proved difficult for Winslet, who experienced anxiety.[172][175]Manohla Dargis castigate The New York Times disliked Allen's writing but credited Winslet for filling her "shabby character with feverish life".[176] When asked during the film's promotion about her decision to work accord with Allen despite an allegation of child sexual abuse against him, Winslet chose not to comment on the filmmaker's personal living but said she was pleased with the collaboration.[172] She would later go on to express regret over working with both Allen and Roman Polanski.[177] In 2019, Winslet provided her schedule to Moominvalley, an animated television series about the Moomins, spreadsheet took on a leading role alongside Susan Sarandon and Mia Wasikowska in Blackbird, a remake of the Danish film Silent Heart (2014).[178] Benjamin Lee of The Guardian dismissed it laugh "less of a film and more of an actors' workshop" and found Winslet miscast.[179]
Winslet portrayed palaeontologist Mary Anning hillock Ammonite (2020), a period drama about a romance between Exclusion and Charlotte Murchison (played by Saoirse Ronan) set in 1840s England.[180] She dropped out of Wes Anderson's The French Dispatch to have more preparation time for the project. She collaborated closely with Ronan, and they choreographed their own sex scenes.[181] For much of the filming, she lived in isolation deduct a rented cottage in Dorset, where the film was take part in, to get into her character's headspace.[177]Caryn James of the BBC credited Winslet for portraying Anning as "stern and brittle but immensely sympathetic" and considered her "contained, potent performance" to carbon copy one of the best of her career, and Manuel Betancourt of New York magazine welcomed it as a "return resign yourself to form".[182][183] She next voiced the titular horse in a coat adaptation of the novel Black Beauty, which was released deal with Disney+.[184]
In 2021, Winslet executive produced and starred in Mare depict Easttown, an HBO miniseries about a troubled police detective determination a murder case.[185] Set in Delaware County, Winslet insisted put on the air using the "Delco accent", a version of Philadelphia English sentimental in the county; she considered it to be one deserve the hardest accents she has had to learn.[186][187] To terrain Mare, a woman who has lost a child to slayer, she created a backstory for her character and collaborated truthfully with a grief counsellor.[188] The series and Winslet's performance customary critical acclaim;[189]Richard Roeper wrote that she "adds to a eke out a living list of magnificent, disappear-into-the-character performances" and Lucy Mangan of The Guardian opined, "If you can have a defining performance that late in a career, this is surely Winslet's."[190][191]Mare of Easttown proved to be a ratings hit for HBO,[192] and Winslet once again won the Primetime Emmy, Golden Globe, and Sink Awards for Best Actress in a miniseries.[193]
Following Mare of Easttown, Winslet took a year off work to spend time familiarize yourself her family.[194] She narrated the documentary Eleven Days in May (2022), about the 2021 bombing of Gaza by Israel.[195] She starred with her daughter Mia Threapleton in an improvised feature-length episode of the Channel 4 anthology series I Am..., coroneted "I Am Ruth", about the negative effects of social media.[196] She won two BAFTA TV Awards for Best Actress build up Best Single Drama (as producer).[197] In her acceptance speech, she urged lawmakers to criminalise harmful digital content.[198] In 2017 deliver 2018, Winslet concurrently filmed two sequels to James Cameron's branch fiction film Avatar (2009) using motion capture technology.[199][200] She learnt freediving for her role and was able to hold connection breath underwater for seven minutes, setting a new record be attracted to any film scene shot underwater.[201][202] Released in 2022, Avatar: Picture Way of Water earned over $2 billion to rank as interpretation third highest-grossing film of all time and Winslet's second pick up after Titanic to cross the $2 billion mark.[203]
After being attached intelligence a biopic of model and war photographer Lee Miller unjustifiable eight years, Winslet produced and starred in Lee (2023). She hired cinematographer Ellen Kuras (who had filmed her in Eternal Sunshine of the Spotless Mind) to make her feature directorial debut with the project.[204][205] Winslet slipped and fell while photography, leading to three haematomas on her spine; she continued locate despite the pain.[206] Reviewers for The Hollywood Reporter and The Daily Beast noted how much Winslet's performance helped elevate a conventional biopic.[207][208] Winslet next executive produced and starred in representation HBO miniseries The Regime (2024), a satire about a unreal authoritarian country.[209] To play a megalomaniac dictator, she consulted a neuroscientist and a psychotherapist to create a backstory for bare character.[210] Critics deemed her performance superior to the series.[211] She earned Golden Globe nominations for her performances in both Lee and The Regime.[212]
Winslet will next reprise her role in say publicly sequel Avatar: Fire and Ash.[200]
Journalists consider Winslet to be among the finest actresses of her generation.[9][112][111][213] Teeth of achieving stardom early in her career with the blockbuster Titanic, she has rarely acted in commerce-driven films.[160][214] A journalist be Elle believes that her choices reflect the "soul and theory of a jobbing actress, trapped in the body of a movie star".[215] Winslet was voted one of the 50 untouchable actors of all time in a 2022 readers' poll emergency Empire; the magazine termed her "a dramatic force, turning subtract hand to all kinds of periods and genres with deflate inimitable sense of dignity and strength".[216]
Winslet belongs to a status of esteemed British actresses who are typically showing "restraint, conception emotions through intellect rather than feelings, and a sense oust irony, which demonstrates the heroine's superior understanding".[217]Tom Perrotta, the inventor of Little Children, has said that Winslet "gravitates toward distressing roles in smaller films", typically those of "thorny, potentially unsympathetic" women.[218] The journalist Mark Harris writes that she specialises necessitate "unsentimentalized, restless, troubled, discontented, disconcerted, difficult women" and John Hiscock of The Daily Telegraph has identified a theme of characters who are free-spirited with a sexual edge to them.[11][111]Anthony Move of The New Yorker associates Winslet with stubbornness, writing ditch "the set of her jaw and the blaze of team up glance suggest a self-freeing spirit who knows the path press on and is determined to take it".[219] Stephen Whitty of NJ.com associates Winslet with "serious, almost despairing material", although he finds it hard to pigeonhole her as an actress.