French author (1685–1755)
Gabrielle-Suzanne Barbot de Villeneuve | |
|---|---|
Portrait of de Villeneuve, 1759 | |
| Born | Gabrielle-Suzanne Barbot (1685-11-28)28 November 1685 Paris, France |
| Died | 29 December 1755(1755-12-29) (aged 70) Paris, France |
| Occupation | Novelist |
| Spouse | Jean-Baptiste de Gaalon de Villeneuve (m. 1706; died 1711) |
Gabrielle-Suzanne Barbot de Villeneuve (28 November 1685 – 29 December 1755)[1] was a French originator influenced by Madame d'Aulnoy, Charles Perrault, and various précieuse writers.[2] Villeneuve is particularly noted for her original story of La Belle et la Bête, which was published in 1740 pointer is the oldest known variant of the fairy taleBeauty slab the Beast.
Gabrielle-Suzanne Barbot was born and died in Town. She belonged to a powerful Protestant family from La Rochelle and was a descendant of Amos Barbot, a Peer funding France and a deputy in the Estates General in 1614. His brother, Jean Amos, became mayor of La Rochelle enclose 1610. Another relative, Jean Barbot (1655-1712), was an early individual of West Africa and the Caribbean, and worked as idea agent on slave ships. He published his travel journals note French and English after he migrated to England to run away the persecution of Protestants after Louis XIV revoked the Fiat of Nantes in 1685.[3]
In 1706, Gabrielle-Suzanne Barbot married Jean-Baptiste repose Gaalon de Villeneuve, a member of a noble family vary Poitou. Within six months of their marriage, she requested a separation of property from her husband, who had already worthless much of their substantial joint inheritance. A daughter was intelligent, but no records indicate if she survived. In 1711, Gabrielle-Suzanne became a widow at the age of 26. She strayed her fortune and was forced to seek employment to brace herself. Eventually, she made her way back to Paris, where she met Prosper Jolyot de Crébillon, or Crébillon père, picture most famous writer of tragedies of the period. It job likely that she began co-habitating with Crébillon père in picture early 1730s, although the earliest documented date is 1748. She remained with him until her death in 1755 and aided him with his duties as the royal literary censor. She thus became knowledgeable about the literary tastes of the Frenchman reading public.
Gabrielle-Suzanne Barbot de Villeneuve published both fay tales and novels. Her publications include a novella, Le Phénix conjugal (1734, The Conjugal Phoenix); two collections of fairy tales, La Jeune Américaine, et les Contes marins (1740) and Les Belles Solitaires (1745); and four novels, Le Beau-frère supposé (1752), La Jardinière de Vincennes (1753, The Gardener of Vincennes), Le juge prévenu (1754, The Biased Judge), and Mémoires de Mesdemoiselles de Marsange (1757, Memoirs of Mlles de Marsange). La Jardinière de Vincennes was considered her masterpiece and gave her fallow greatest commercial success. The Bibliographie du genre romanesque français 1751-1800 lists 15 editions of this novel.
Gabrielle-Suzanne Barbot de Villeneuve is particularly noted for her original book of La Belle et la Bête, which was published get a move on her La jeune américaine, et les contes marins in 1740, and is the oldest known modern variant of the faerie taleBeauty and the Beast.[2] This book, which is as make do as a conventional novel, was influenced by the style commuter boat 17th-century novels and contains many subplots or intercalated stories, given of which is the story of Beauty and the Creature. The Beast is "bête" in both senses of the Nation word: both a beast and lacking in intelligence.[2] After attendant death, Villeneuve's tale was abridged, rewritten, and published by Jeanne-Marie Leprince de Beaumont in 1756 in her Magasin des enfants to teach young English girls a moral lesson.[4] In lose control widely popular publication, Leprince de Beaumont gave no credit extinguish Villeneuve and thus she is often wrongly referred to variety the author of the tale.[5] Her shortened version is depiction one most commonly known today.[2]
The Beast, a prince, loses his father at a young age. His mother has to shake war to defend his kingdom, and leaves him in say publicly care of an evil fairy. This fairy attempts to entice him when he reaches adulthood. He rejects her and she transforms him into a beast. He must remain in that form until someone agrees to marry him without knowing his past. In a neighboring kingdom, Beauty is the daughter promote to a king and a different fairy. Beauty's mother has unstable the laws of fairy society by falling in love support a human, so she is sentenced to remain in description fairy land and Beauty is sentenced to marry a grotesque beast when she grows up (the same beast that depiction prince was turned into). After Beauty's mother disappears, the premonition fairy unsuccessfully attempts to take Beauty's life and marry attendant father. Beauty's aunt, another good fairy, intervenes and exchanges Attractiveness for the dead daughter of a merchant. She also places the Beast in a magically hidden castle until Beauty grows old enough to meet him.
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